Hello. I hated this movie.
I watched an old movie last night - an “old” movie, not an OLD movie. This movie came out in 1997, not 1957.
I was looking for something light-hearted and easy and thought a Julia Roberts movie might be just the thing I needed. This movie gets good reviews. Wikipedia announces that it’s the “best romantic comedy of all time.” Yes, it’s true: I watched “My Best Friend’s Wedding.”
Well, I hate to disagree with Wikipedia (Ronald Bass, the screenwriter, probably also wrote that entry), but this movie sucks. What a miserable piece of shit the character of Julianne Potter is. She’s a spoiled food critic (see what I did there?) who doesn’t like public displays of affection or saying “I love you” to other people, but who agreed to marry some guy she had an excellent month with when they were like, 19, and to whom she pledged to marry if neither of them met anyone else less annoying by the time they were 28.
As if I”m supposed to believe that a person as unlikeable as “Jules” Potter would give a rat’s ass if she wasn’t married by 28. This is a character destined to die alone, and that would be just fine with me.
The guy, also a writer, though his subject is Sports, calls her out of the blue one day while she’s having dinner with her “best friend,” a guy named George who is actually also her editor. How convenient! An editor, by the way, might also be considered to be a “writer.” There are too many writers in this story and by “too many” I mean, Ronald Bass. By the way, I put “best friend” in quotes up there because it’s hard to see what benefit this guy gets from being friends with her. She’s shrill, annoying, demanding, and kind of a pain in the ass. She has that amazing Julia Roberts smile, but he’s gay and not, I don’t think, interested in her gorgeous-ness.
(Rupert Everett plays one of these guys, and Dermot Mulroney plays the other. I could not tell you who is who. Jules has a type, and it’s dark-haired white guys.)
So her sportswriter ex-boyfriend calls her (his name is Michael), leaves a message (which she listens to at dinner by whipping out a phone the size of a can of Aquanet, complete with its own little antenna), and says he has to talk to her about something important. Instead of focusing her attention on George, the guy in front of her, she tells him the story about the one great month, the fact that she dumped him, and the pledge. They agree that the only reason Michael is getting in touch with her is that she’s about to turn 28.
George is mostly a great character, but what a couple of self-centered assholes. Is it not possible that Michael wants to tell her something amazing, like, he got a job working with Aaron Sorkin on Sports Night, or he’s moving to France?
Jules goes home to her incredibly ugly bedroom (she has bedside tables that are just round tables with long tablecloths on them) and calls this dude back. I won’t keep you in suspense: he tells her he’s getting married.
The one funny thing in the movie happens during this call, and I won’t spoil it for you.
Needless to say, news of Michael’s impending wedding (it’s in 4 days) sets Jules off and she takes off, leaving for Chicago and the wedding the next day. She’s already plotting to ruin the lives of a woman she’s never met and a man she claims she’s in love with (nothing says true love like seducing a guy just to stop him from marrying someone else). George gives her good advice to tell Michael she’s in love with him (I don’t think George fully appreciates how stupid Jules really is), but she ignores it.
Michael’s bride-to-be is played by Cameron Diaz, who must’ve been like 18 years old when this movie was made. She looks young, and her complexion is… not good. They did her makeup in such a way that it appears that her chin is darker than her forehead. Someone must’ve decided that fashion model Cameron Diaz could not look as good as or better than Julia Roberts, because they put her in these prissy little outfits with strands of pearls and hair barrettes. The shade of blond chosen for her hair is definitely “dishwater.” It’s perplexing how bad they make her look. Her name is Kim, but everyone calls her “Kimmy,” perhaps to drive home the idea that she’s an infant who has decided to drop out of college (she’s studying to be an architect. Of course she is) so that she can travel around with Michael while he’s covering what sounds like the worst sports teams in the world. Kimmy is a shitty driver but a decent person, who just wants to be friends with Michael’s old friend, Jules. Michael has, of course, talked up Jules so much that Kimmy is intimidated, but Kimmy isn’t as dumb as whoever did her makeup thinks she looks.
Jules sets off in motion a truly shitty plan for winning over Michael, and it involves impersonating Kimmy’s dad by writing an email that she considers not sending at the last minute… look, I’m not going to recap this whole crappy movie, because I hated it. One reviewer of this movie (a normal human being like me, not a movie critic, but someone who liked the movie) said that it was practically a musical because of all the songs in it, but I also hated this aspect of the movie, which I guess is surprising, because I like musicals. But all the Burt Bacharach songs were used as if to create a good feeling, or a sense of nostalgia, or something. I think in 1997 that shit was just trendy - it felt like I was being manipulated into thinking this was a better movie than it is.
One thing I did learn from Wikipedia is that Cameron Diaz has retired from acting. I was sorry to hear that. Her character in this movie is probably the most likable person onscreen, and she did a good job in this role even if they managed to make her look incredibly bad in it. I hope that’s not the reason she retired.
Score: F